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casino degli spiriti

Di fronte a voi avete il cimitero e di fianco il cosiddetto Casino degli Spiriti, già raccontato altre volte. Un'altra oscura e misteriosa. Il Casino degli Spiriti Vicino alle Fondamente Nuove esiste una solitaria e malinconica dépendance di Palazzo Contarini dal Zaffo, chiamata Casin degli. The famous Casino degli Spiriti is part of its dependencies. Français: La palais Contarini dal Zaffo à Venise - est situé dans le sestiere de Cannaregio. AZARTPLAY CASINO ПРОМОКОД ТАБЛЕТИРОВАННАЯ ФОРМА ПРОДУКТАКатализатор зрения это чрезвычайно горючего это разработка, индивидуальности в вариантах, важной экономии горючего для бензиновых и сети ресторанов, скорого огромные организации. С жидким мылом разработка производства была горючего это разработка, количество вредных выбросов меньшего размера. Ведь предназначение продукта - это экономия. Один блистер MPG-CAPSспособен обработать 1000 л.

The gardens of the Palazzo Contarini dal Zaffo. Sacca della Misericordia. Casino degli spiriti. Ценная иллюстрация. Краткие подписи российский Добавьте однострочное описание того, что собой представляет этот файл. Элементы, изображённые на этом файле изображённый объект. У этого характеристики есть некое значение без элемента в.

Nikon DE британский. Данный файл употребляется в последующих вики: Внедрение в de. Места имён Файл Обсуждение. Ссылки сюда Служебные странички Версия для печати Сведения о страничке. Сказать о ошибке с файлом. Описание Casino degli Spiriti Venezia visto dalla laguna. Снято: 10 мая Didier Descouens. Права Повторное внедрение этого файла.

It is not permitted to upload this file at Facebook. Этот файл находится на Викискладе. Сведения о нём показаны ниже. Викисклад — централизованное хранилище для вольных файлов, используемых в проектах Викимедиа. The famous Casino degli Spiriti is part of its dependencies. Il famoso Casino degli Spiriti fa parte delle sue dipendenze.

Я, обладатель авторских прав на это произведение, добровольно публикую его на критериях последующей лицензии:. Ценная иллюстрация. Краткие подписи российский Добавьте однострочное описание того, что собой представляет этот файл. Элементы, изображённые на этом файле изображённый объект.

У этого характеристики есть некое значение без элемента в. Nikon DE британский. Последующая страничка употребляет этот файл: Палаццо Контарини даль Дзаффо Каннареджо. Данный файл употребляется в последующих вики: Внедрение в de. Места имён Файл Обсуждение.

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Click on the list below and thank you for your purchases! Italian Mysteries: Haunted Venice. That glittering vision resting on a lagoon, filled with architectural wonders, a hotbed of musical and artistic creation throughout history, glowing with pink and gold. When I first visited the city, nearly twenty years ago, I fell in love immediately with the winding paths leading to one bridge after another, carrying me along past Byzantine churches and crumbling Renaissance palazzos.

This first trip to Venice was taken in summertime, so my impressions were colored by heat-- a shimmering, intense wave that sent me back to the hotel and ready for bed long before the sun dipped below the horizon. But it is this darkened and quiet Venice that takes up the most space in my imagination. Your eyes start playing tricks on you as they attempt to focus through the mist and darkness. The lapping waters of the canals echo around the decaying buildings and equally confuse the mind-- was that a gondola I heard?

Or did someone fall into the deep, black water? Some people think that visual art is dry, boring, lifeless. But the stories behind those can be paintings, sculptures, drawings and photographs are weirder, crazier, or more fun than you can imagine. Art History is full of murder, intrigue, feisty women, rebellious men, crime, insanity, and so much more.

Exploring the unexpected, the slightly odd, and the strangely wonderful in Art History, this is the ArtCurious Podcast. Venice during the Renaissance was a true sight to behold-- and one whose experience and manifestation of the Renaissance was different than anywhere else in Italy-- and i am not simply just talking about its unique and slightly strange placement on a lagoon instead of terra firma. And its from Byzantium that Venice also received much of its aesthetic uniqueness-- like the mix of Byzantine and Italianate architecture that defines its most iconic church, St.

The connection between the empire and the little port city stayed a cozy one until the end of the Middle Ages, when Venice burst onto the spotlight as its own maritime force to be reckoned with--and a center of great cultural, commercial, and artistic importance. And it praised different elements of fine art than its landlocked cousins, Rome and Florence, where iconic artists like Leonardo, Raphael, Botticelli, Brunelleschi, and Michelangelo lived and worked.

Putting it in very basic terms, the Florentines, for example, praised a more linear approach to artmaking. To them, the line-- drawing, design, and all that it represents-- was the essence to the representation of the world around them. Their secret to art, especially painting, was color--the blending and layering of it, as well as its very liberal usage. In art-historical terms, sometimes people boil down this rivalry to simply saying that Venetians used brighter colors than Florentines, but this is technically not true.

But the difference is that the Venetians treated color differently, combining it and melding it in such a skillful way that some canvases almost exude an otherworldly glow. Obviously these two approaches to artistic creation were, if not in opposition to one another, at least presenting a different way of looking at things-- and that, combined with geographic tensions, meant that there was a significant amount of rivalry between the creative factions of Venice and other city-states throughout the region.

And the members of these groups would do what people are keen on doing-- finding members of their own tribe and hanging out together to revel in their joint interests. When they met, they would spend hours discussing the merits of a particular pigment or the blending of tones to create a luminous cityscape, for example. No way. And so, they really needed a meeting place-- their very own boys club-- in which to do their deeds. In good time, they settled on a particular location-- an elegant mansion on the outskirts of the city called the Palazzo Contarini del Zaffo.

This palace-- a truly vast structure-- was commissioned by the politician Gasparo Contarini, who had it built on the site of an older Gothic building between the years of and Gasparo Contarini was part of a wealthy family who could claim the Duchy of Jaffa as part of his ancestral legacy, with Jaffa being a Venetian stronghold in the Holy Land, and part of Israel today. Though Gasparo himself worked in politics, one of his major interests was arts-- and in fact, he even commissioned the painter Giandomenico Tiepolo to create a huge fresco called the Apotheosis of Giorgio Contarini to celebrate and commemorate his family line.

Gasparo loved to support the arts and artists as much as possible, so he was not only a patron of particular works of art, but he also offered an annex of his palace as a meeting place for his artist friends. It was said that not only was the annex of the palace a decent place to spend some time, but that it had such a magnificent garden it attracted the awe and attention of any of its visitors, be they artists, musicians, dancers, or simply the very rich.

So, as you can imagine, the palazzo became one of the top places to throw lavish, inspired parties-- so much so that as early as the mids, when Giorgione, Titian, and friends began frequenting it, the palazzo developed a unique nickname: The Casino degli Spiriti-- the little house of the spirits. This sobriquet, at that time, referred to the energetic visitors and creative types who would carouse there.

But over time, the name morphed and became something so different-- and so much darker. A person who was, though, was another artist-- a painter by the name of Luzzo. From what little information there seems to be on Luzzo, we know at least the following-- his real name was most likely either Pietro Luzzo or Lorenzo Luzzo, though he also went by the name Pietro Luci as well.

For most of his life, though, he also went by yet another nickname-- Morto da Feltre. The last part of the nickname--da Feltre, refers to his home of Feltre, in the province of Belluno, about kilometers north of Venice. He was born there in the late 15th century. This little hobby struck his fancy after a visit to Rome as a teenager, wherein he studied under the tutelage of the painter Andrea di Cosimo.

That grotto and crypt exploration seems to have had quite the influence on Luzzo, who was so inspired by the sculptural designs of crypt decoration that he began replicating its curving, arabesque styles in his paintings when he returned back to Northern Italy.

Giorgione, alongside his pal Titian, had been commissioned to paint the entirety of the front of the Fondaco, which was a building of supreme importance to the German community in Venice, and had at the time only recently been rebuilt after a devastating fire in January of And it seems that Luzzo worked alongside Giorgione for between 3 to 5 years-- stories differ-- until the project was completed.

Side note-- this is a cool project, right? After around , Luzzo traveled back and forth between Feltre and Venice, completing artworks in both locations for public and private commissions-- including some frescoes of his very own in Feltre. But when he was in Venice, he made sure to stop by the Casino degli Spiriti to carouse and imbibe with his cohort of Venetian creatives and intellectuals.

It is not known exactly when things took a turn for the worse for Luzzo. But according to his legend, it all began with a woman. And one of those entranced was Luzzo. There was only one problem. Cecilia already had a lover. And her lover was Giorgione. В один прекрасный момент они сделали нечестную сделку с одной дамой, которая оказалась Святой Магдаленой. В наказание за свои преступления братья окаменели. Примечательно, что у статуи 1-го из братьев — Риобы — темный нос, поэтому что уникальный был утерян несколько веков назад.

В продолжение истории с братьями есть смысл посетить и их дворец, расположенный на той же самой площади. Ориентализм — направление в европейском искусстве, в котором употребляются восточные образы, сюжеты и стилистика. Его различает одна необыкновенная деталь — барельеф, изображающий верблюда. Данное животное трудно встретить в Италии, но композиция выполнена чрезвычайно реалистично.

Это означает, что заказчик либо мастер, возможно, отлично знал, как смотрятся верблюды. Памятуя братьев Мастелли, все встает на свои места: беря во внимание их обеспеченный опыт интернациональной торговли, полностью может быть, что они могли созидать верблюдов на Востоке либо даже в Африке во время собственных торговых экспедиций.

Длительное время этот дом принадлежал богатой венецианской семье Контарини. Там нередко устраивали приемы, которые посещали сливки общества. Часто заглядывал сюда и юный живописец Джорджоне. У него была связь с куртизанкой Чечилией, которая, кстати, нравилась другу Джорджоне. Любовный треугольник закончился трагедией: безответно влюбленный в Чечилию парень повесился прямо в доме Контарини. С тех пор его призрак обитает в доме, появляясь в окнах. Тут слышатся странноватые шорохи и голоса, живут духи и привидения.

Кстати, поговаривают, что в садике рядом с домом ранее проводились вскрытия тел перед тем, как захоронить их на кладбище Сан Микеле напротив. Продолжить тему призраков можно во время экскурсии по подземным аллейкам и древнем склепу.

На этом перечень загадочных мест Венеции, естественно же, не заканчивается. Этот город хранит в для себя много загадок. Сейчас для вас есть с что начать их разгадывать. Строчка навигации Основная » Венеция » Необыкновенные достопримечательности Венеции. Share Tweet Email Печать. Адрес: Campiello Barbaro, , Dorsoduro Апартаменты в домах без привидений тут Понте делле Тетте Ponte delle Tette Казалось бы, чем может удивить в Венеции мост, которых тут сотни?

Адрес: via San Cassiano, San Polo Чтоб передвигаться меж необыкновенными достопримечательностями из данной нам статьи, закажите единый проездной билет на публичный транспорт Венеции - речные автобусы и трамваи. Адрес: Campo dei Mori, Cannaregio Палаццо Мастелли Palazzo Mastelli В продолжение истории с братьями есть смысл посетить и их дворец, расположенный на той же самой площади.

Палаццо Мастелли — одно из редких проявлений ориентализма в Венеции. Адрес: Campo dei Mori, , Cannaregio Дом с привидениями Casino degli Spiriti Длительное время этот дом принадлежал богатой венецианской семье Контарини. Адрес: Fondamenta Gasparo Contarini, , Cannaregio Продолжить тему призраков можно во время экскурсии по подземным аллейкам и древнем склепу.

Хотим для вас интересных прогулок по Венеции. Похожие статьи. Куда пойти с детками в Венеции: парки, музеи и детские площадки.

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A person who was, though, was another artist-- a painter by the name of Luzzo. From what little information there seems to be on Luzzo, we know at least the following-- his real name was most likely either Pietro Luzzo or Lorenzo Luzzo, though he also went by the name Pietro Luci as well. For most of his life, though, he also went by yet another nickname-- Morto da Feltre.

The last part of the nickname--da Feltre, refers to his home of Feltre, in the province of Belluno, about kilometers north of Venice. He was born there in the late 15th century. This little hobby struck his fancy after a visit to Rome as a teenager, wherein he studied under the tutelage of the painter Andrea di Cosimo. That grotto and crypt exploration seems to have had quite the influence on Luzzo, who was so inspired by the sculptural designs of crypt decoration that he began replicating its curving, arabesque styles in his paintings when he returned back to Northern Italy.

Giorgione, alongside his pal Titian, had been commissioned to paint the entirety of the front of the Fondaco, which was a building of supreme importance to the German community in Venice, and had at the time only recently been rebuilt after a devastating fire in January of And it seems that Luzzo worked alongside Giorgione for between 3 to 5 years-- stories differ-- until the project was completed.

Side note-- this is a cool project, right? After around , Luzzo traveled back and forth between Feltre and Venice, completing artworks in both locations for public and private commissions-- including some frescoes of his very own in Feltre. But when he was in Venice, he made sure to stop by the Casino degli Spiriti to carouse and imbibe with his cohort of Venetian creatives and intellectuals. It is not known exactly when things took a turn for the worse for Luzzo.

But according to his legend, it all began with a woman. And one of those entranced was Luzzo. There was only one problem. Cecilia already had a lover. And her lover was Giorgione. Giorgione and Cecilia had one of those iconic relationships--he was the fine artist, and she was his model and muse. Francis and another saint identified either as St. Nicasius or Saint Liberale. The work is more commonly known today as the Castelfranco Madonna. There, the Madonna is draped in luminous reds and rich green, holding the infant Jesus in one hand and calmly looking down with an ever-so-slight tilt to her head.

To me, she looks so, so sad. She was also somewhat capricious, prone to outbursts and fits of rage, and she was apparently not totally faithful to Giorgione. Because of this, she was described as equal parts angel and devil. Which brings us back to Luzzo.

As he exits the palazzo and out into the misty night, his thoughts are filled with her-- of Cecilia. So, Luzzo did what any other man probably wanted to do at that time, too-- he made his way closer and closer to Cecilia over a period of weeks until one fateful evening, he was able to gather up the courage… to proposition her. How romantic. She spurned him almost immediately, but Luzzo was not deterred. And so he sought her out, again and again, asking her to be his lover, to dine with him, to attend concerts and plays-- even just to sit with him during these meetings at the palazzo.

And the more she turned him down, the more deeply he fell in love with her-- until at some point, he began to crack. And one night, after trying his luck with Cecilia one more time, Luzzo disappeared. A few days after his disappearance, though, there was a strange sight. In one of the windows of the casino, a figure was seen to be hovering. Upon closer inspection, Venetians realized that they recognized the face-- it was Luzzo, standing in the darkened Casino degli Spiriti, all alone.

And then, the noises began. Some visitors claimed to hear long, desperate wailing-- only to come to the shuddering realization that it was Luzzo, crying out in despair from unrequited love. Luzzo, you see, had died-- by his own hand, in the very room where he used to enjoy the company of his like-minded friends.

The name of the Casino degli Spiriti, for all of Venice, now had a sinister connotation. It was no longer the lively and spirited meeting place of the highbrow artistic community, much to the chagrin of the Contarini family, who still hoped to foster support and discourse there. No, people started to stay away as the rumors of the ghost of Luzzo haunting the palace spread further and further beyond its own walls.

Even years later, Venetians reported sightings of lights flickering in windows of uninhabited rooms, of moaning or crying emanating from the Casino, sounds, they said, of a man mourning unrequited love. To the untrained ear, they may indeed sound like a lament of some type.

But the claims of the hauntings just stuck-- and after the fall of the Venetian empire in the late 18th century, the Palace complex fell into a light state of disrepair after the Contarini family relinquished the location. Its slightly mildewed appearance simply seemed to corroborate the idea of a haunting for many Venetians. No, it turns out that he probably died a heroic death in in Zara, back there on the Dalmatian coast, where his own father had once lived.

He was a soldier for the republic of Venice and was mortally wounded in the course of battle-- though even this story is a little bit questionable, since some scholars have dated his works into the s. For example, the nearby island of San Michele was transformed into a cemetery in the early 18th century, and frequently undertakers would use the palazzo grounds as stopovers on boating trips to transport fresh or not so fresh corpses en route to their burial.

Like nearly everywhere in Venice, the Casino degli Spiriti was once a holding place for bubonic plague victims during the 17th century outbreak that claimed nearly 50, lives. In , inside the Casino, four bodies were located-- a priest, two brothers, and a gondolier, all missing their heads and their right hands. The heads and hands were never found-- and neither were the masterminds of the gruesome crime. About 20 years later, a local woman named Linda Cimetta was killed, dismembered and stuffed into a trunk, which was found floating right near the Casino.

В один прекрасный момент они сделали нечестную сделку с одной дамой, которая оказалась Святой Магдаленой. В наказание за свои преступления братья окаменели. Примечательно, что у статуи 1-го из братьев — Риобы — темный нос, поэтому что уникальный был утерян несколько веков назад.

В продолжение истории с братьями есть смысл посетить и их дворец, расположенный на той же самой площади. Ориентализм — направление в европейском искусстве, в котором употребляются восточные образы, сюжеты и стилистика.

Его различает одна необыкновенная деталь — барельеф, изображающий верблюда. Данное животное трудно встретить в Италии, но композиция выполнена чрезвычайно реалистично. Это означает, что заказчик либо мастер, возможно, отлично знал, как смотрятся верблюды. Памятуя братьев Мастелли, все встает на свои места: беря во внимание их обеспеченный опыт интернациональной торговли, полностью может быть, что они могли созидать верблюдов на Востоке либо даже в Африке во время собственных торговых экспедиций.

Длительное время этот дом принадлежал богатой венецианской семье Контарини. Там нередко устраивали приемы, которые посещали сливки общества. Часто заглядывал сюда и юный живописец Джорджоне. У него была связь с куртизанкой Чечилией, которая, кстати, нравилась другу Джорджоне. Любовный треугольник закончился трагедией: безответно влюбленный в Чечилию парень повесился прямо в доме Контарини.

С тех пор его призрак обитает в доме, появляясь в окнах. Тут слышатся странноватые шорохи и голоса, живут духи и привидения. Кстати, поговаривают, что в садике рядом с домом ранее проводились вскрытия тел перед тем, как захоронить их на кладбище Сан Микеле напротив. Продолжить тему призраков можно во время экскурсии по подземным аллейкам и древнем склепу. На этом перечень загадочных мест Венеции, естественно же, не заканчивается.

Этот город хранит в для себя много загадок. Сейчас для вас есть с чего же начать их разгадывать. Строчка навигации Основная » Венеция » Необыкновенные достопримечательности Венеции. Share Tweet Email Печать. Адрес: Campiello Barbaro, , Dorsoduro Апартаменты в домах без привидений тут Понте делле Тетте Ponte delle Tette Казалось бы, чем может удивить в Венеции мост, которых тут сотни? Адрес: via San Cassiano, San Polo Чтоб передвигаться меж необыкновенными достопримечательностями из данной нам статьи, закажите единый проездной билет на публичный транспорт Венеции - речные автобусы и трамваи.

Адрес: Campo dei Mori, Cannaregio Палаццо Мастелли Palazzo Mastelli В продолжение истории с братьями есть смысл посетить и их дворец, расположенный на той же самой площади. Палаццо Мастелли — одно из редких проявлений ориентализма в Венеции. Адрес: Campo dei Mori, , Cannaregio Дом с привидениями Casino degli Spiriti Длительное время этот дом принадлежал богатой венецианской семье Контарини.

Адрес: Fondamenta Gasparo Contarini, , Cannaregio Продолжить тему призраков можно во время экскурсии по подземным аллейкам и древнем склепу. Хотим для вас интересных прогулок по Венеции. Похожие статьи. Куда пойти с детками в Венеции: парки, музеи и детские площадки.

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